Tape Releases

BSC is one of Richard Ramirez's better known project and this cassette will explain why. An hour of pure pollutive noise to fill your speakers and spin your head. Abbrassive with calm passages coupling ambient electronics with field recordings. Limited to 50 copies, black ink on black card.

40 minutes of ugly harsh exploitation. 4 pieces of relentless synth death and burning static. Ugly but lovely work from this German resident. Edition of 50 copies on white tapes with white cases and laser printed covers to boot. The power of Zeus and the fury of Hades. Get on it. Very few copies remain!

New murky tape tonality from Steve Warwick of Birds of Delay fame. First side is straight to tape lo-fi tonal drone of the highest order. The flip is a loop recorded live that slowly builds and dies. Get yer fix! 100 copies on clear tapes with full colour art by the man himself.

New recording from Proctor (Ape) and Stokoe (Culver). Two bass driven drone compositions with subtle guitar buried in the sand. Two half hour slowed down storms put through 12 octave pedals. Intense!

Dim Records boss/Staplerfahrer main man, delivers 5 pieces of harsh variation and dynamic obscenity/indecency! Following a release on Ambolthue Records, this release will make you feel sick. Edition of 22 on white tapes with white cases with laser printed full colour art by the Ape. Few left!

45 minutes of straight to tape archive documentation. Ugly tones and beaten up guitars pave the way for a drone going on harsh noise junk terrifier! New UK project from the North. Cheap winters....

Harsh fades and stretched guitar from the UK's Mutant Ape. Harsh dynamic cut ups from Italy's Lolita Vibrator Torture in the vain of Romance and other "Jap-Noise" style harsh abuse. Artwork by Tisbor.

New recordings from the Ape, tackling the new year with two sides of harsh abuse. First side was recording in the comfort of the basement, whereas side B was recorded in the harsh enviroment of the Snuff Trap, BLYTH with beasts lurking round ever corner and Geordie Jeff recalling a tale of selling sand to the arabs... Paralell universe. Nothing finer.

Third in the trilogy of Folk Devil tapes from the Ape. 45 mins of straight to tape harsh fuckery with minor editing and no overdubs. Pure. 3 Panel full colour covers. Harsh, no more, no less.

3-way split from the founding fathers and Turgid new-comer Scordatura from Poland. Mutant Ape beems in a track from early 07. Harsh anal noise from the depths of the Sparrow Pit. Splinter vs. Stalin throw us a track of bizarre cut up tape shit/Power Electronic sounds. Scordatura brings forth a juttering cut up harsh attack on the senses.

Mail collaboration from 2006. Two sides of the full on harsh attack that you would expect from these lot. Art by Proctor.

Mutant Turd, transported back in time to the height of GG Allin. They ship him off to Cuba, he plays in Cuba. At the same time in Leeds, England the Mutant Turd boys listen to his performance over a short wave radio, plug it into an amp and release a tape. Full colour covers.

More dirty autopsy electronics from Murder Book. Low pitched and low-brow sleeze. "Not Even Death Is Real".

Deep dark ambience from Murder Book. And you thought murder was fun? You thought you could just apologise? You thought that would make it OK? All better? FUCK YOU

Two live recordings in about 40 minutes of junk noise trash from Northern England. The first side is taken from Newcastle which see's Gillham from Snotnosed/Drunk In Hell and Baines playing the infamous Distraction Records weekender at The Cluny in 2005. Gillham, Baines and Dave/Milovan from Smell & Quim tear it up in Leeds as part of the Curmudgeon alldayer at the Packhorse in a bloody noise battle. Pro dubbded tapes in a pro dubbed fold out cover featuring all manner of grotesque artwork inside a PVC bag. Limited to 77 copies.

The second Progeria Youth release, the follow up to 2005's "Dirty Disease" CD-r. Recorded last year via the post. This release see's the lads go into more focused territory but with that rough-round-the-edges approach from before. Full colour art by Proctor.

35+ mins from both bands. Robe. (USA) opens side A with a deranged dark soundscape slowly building in harshness and fading in darkness. Evil cogs turning and bass tones thuddering over a drawn out fog of sound. Oubliette (USA) clears things up for you with the straight forward lo-fi harsh madness that he is known for. Split power supreme!

Double cassette feature from this Canadian killer! Conceptual release with the first tape being a heavily edited and dense sound collage of static wall spit and the other tape being pure dense sine wave on one side and pink noise (on a pink tape) on the other! Tapes come printed in a large vinyl case with minimal artwork. Really please with this one! Sick Buildings! Limited to 100 copies.

Guitar based Power Electronics from Pekka PT (Gelsomina) and George Proctor (Mutant Ape). 4 tracks of brooding industrial soundscapes with vocals. Desperate, bleak and at war with the world, no one to trust... Lyrics printed on the 3 fold full colour cover, artwork by Pekka.

Expert Pacific North West Harsh Noise USA! The Sunken deliver two sharp 5 minute blast of grotesque pedal abuse. Babies cry as bottles are smashed over a bad of dense electronics on Side B from Khellso, the collaborative project between PNW's Skellaten and Suicidal Tendons. Comes in standard jewel case with two inserts and a nice printed label on the tape. Horrible but bloody great!

Ancient Europe. A new Anglo-Italian project from George Proctor (Mutant Ape) and Francesco Raucci (Lexes). Harsh electronics for harsh times. Brutal Europe. Artwork by Raucci.

Split cassette from two of the most realiable names in the noise/drone world. Lee Stokoe's Culver project has appeared throughout Turgid Animals catalogue since the beginning and over the past 10 years or so since the project began, he has cemented himself as a master of his craft, scoring big points for England's dodgy music "scene". Much in the same way Richard Ramirez and his Werewolf Jerusalem project has for the USA across the ocean. Culver's side focuses on the slow moving and doom laden drone side of what would these days be called wall noise and Werewolf Jerusalem's side offers up a more ecstatic and brighter sound and take on the HNW genre. Highly recommended!